Limited edition prints by AndrBel are conceived not as reproductions, but as collector editions derived from original paintings within the artist’s conceptual systems.

Each print represents a carefully produced archival interpretation of an original artwork, created using museum-quality materials and techniques to preserve the visual structure and chromatic complexity of the painting.

In this context, the print becomes a distinct collectible object, connected to the original work while maintaining its own place within the collector archive.

All prints originate from paintings that belong to AndrBel’s conceptual frameworks, including:

• mio GESES
• mio PIXART
• Mio Albo

Each print is issued as a strictly limited edition of 100.

The edition is released gradually over time, ensuring that only a small number of prints enter the market each year.

This controlled structure preserves rarity and allows collectors to participate in the evolving archive of the artist’s work.

Every print is:

• signed by the artist
• individually numbered
• accompanied by a Certificate of Authenticity

All prints are produced using museum-grade archival materials, including:

• pigment-based giclée printing
• Hahnemühle German Etching paper
• archival framing options

Limited edition prints provide collectors with the opportunity to engage with the artist’s conceptual systems through carefully produced archival editions.

For many collectors, prints represent an entry point into an artist’s work while maintaining a direct connection to the original paintings.

Over time, early prints from significant conceptual series often become important references within the broader artistic archive. 

All AndrBel limited edition prints form part of a growing Collector Print Archive, documenting the circulation of works derived from the artist’s original paintings.

This archive functions as a long-term record of the editions and supports the preservation of their provenance.

Within the practice of AndrBel, the limited edition print is understood as a carefully structured collector object — one that reflects the visual language of the original painting while participating in the evolving conceptual archive of the artist’s work.